Rere el mirall, la música

How would it be a world without music? Who does music belong to? How does it feel as if it was our? 

Through a polyphony of musicians, artists and professionals of music industry we inquire into the importance of music in social, cultural and economic fields, discovering what it is like to dedicate to music in Catalonia and putting a name to people that makes music sound. 

A recognition to renowned musicians’ work and a look at younger innovative and transformative projects that in a short period of time have become Catalan music scene benchmarks. All with the aim of showing its plurality and dignifying the profession, in this time of uncertainty due to Covids crisis, pursuing the values ​​of Catalan Academy of Music Alícia Awards.

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A Digital Films and Catalan Academy of Music's documentary for Televisió de Catalunya

Costumer

Catalan Academy of Music

CATEGORY

Documentary

FORMAT

52’, TV3 – 2020

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Project singularities

One of the most affected sectors by COVID-19’s pandemic has undoubtedly been the music one. For this reason, when the Catalan Academy of Music commissioned us to produce a documentary to replace Alícia 2020 Awards, which unfortunately had to be canceled, we had it clear from the beginning that Rere el mirall, la música had to be a chant to music, music industry and its professionals.

Because if there is one thing that we have been lacked of during this stormy period of time, it is the refuge that offers us the cultural sector. As Oscar Rando, Festival Esperanzah’s founder and member of the  cooperative points out <<There is no possible future society without culture role>>.

<<There is no possible future society without culture role>>

- Oscar Rando

Along this way, we had the immense pleasure of meeting great artists and professionals such as Raquel García-Tomás, Pau Vallvé, Ikram Bouloum, Adam Lakti and Jaume Piqué. We’ve enjoyed filming live shows of Tarta Relena, Chicuelo-Mezquida and Núria Graham and learn endlessly from meetings with various sector professionals such as Albert Salmerón (president of APM), Joan Magrané (composer), Helena Bagué (El Pot Petit), Alguer Miquel (Txarango), Ester Bonal (Xamfrà) or Gerard Quintana (President of the Academy), among many others.

Credits

Credits

Direction

Alexis Borràs Izquierdo

Assistant director

Pau Cruanyes Garrell

Script

Anna Casacuberta Palmarola

Executive production

Eduard Balaguer

Production management

Adrianna Quena

Production assistant

Maria Serralvo

Director of photography

Irene Ferrer Panicot

Camera operators

Alexis Borràs Izquierdo
Pau Cruanyes Garrell

Carles Moral Sala
Artur Cruz Jardí 
Andrea Mezquida-Torrent
Gerard Vidal Barrena

Electrics

Mario Andrés Goméz
Atlàntida technicians:
Joan Santaugini
Joan Sanjurjo
Pep Barcons
Pep Viladegut

Makeup

Rut Fulgado

Executive management

Manel Montañés

ACLAM Production Team

Víctor Partido
Marcel Cavallé

Voiceover

Tàtels Pérez Grau

Sound

León Bertone
David Mata Rigola
Joan Fornés Riutort

Edition

Joan Vallverdú

Color grading

Cristina Pérez Ruiz

Sound postproduction

León Bertone

Title design

Albert Soriguera (Bakoom Studio)

Related projects

Education